Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.

大学的神经外科，充满野心的年轻医生遇到人生的指导者从而走上真正医者仁心之路。

Lee Gang Hun is a brilliant brain surgeon who will do anything for success. Haunted by the hardships he had growing up including his father’s death, he’s filled with ambition and hopes to prove himself to be the best when it comes to neurosurgery. Gang Hun’s arrogance and selfishness remind Professor Sang Cheol, the best brain surgeon at Chunha University Hospital, of his younger days. San Chul is an empathetic doctor who cares highly about his patients, and dislikes Gang Hun’s approach, but ultimately decides to mentor him, as the two are connected by a secret past. On the other hand, Gang Hun’s rival Jun Seok comes from a family of doctors who have always supported him. Despite this, Jun Seok has always felt inferior to Gang Hun. On top of that, his crush has feelings for Gang Hun instead of him. This is the story of three rival doctors at a prestigious hospital as they navigate their struggles, ambitions, and each other.

A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

Plot details kept under wraps. Described as supernatural-thriller about a person trapped with mythological creatures.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.